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Wonders of God’s Creation (1)

Wonders of God’s Creation

by Eric Lyons, M.Min.

According to the General Theory of Evolution, about 14 billion years ago “all the matter in the universe was concentrated into one very dense, very hot region that may have been much smaller than a period on this page. For some unknown reason, this region exploded” (Hurd, et al., p. 61). As a result of the alleged explosion of a period-sized ball of matter, billions of galaxies formed, and eventually planets such as Earth evolved. Supposedly, the evolution of galaxies, and every planet, moon, and star within these galaxies, all came about by non-purposeful, unintelligent accidents. Likewise, every life form that eventually appeared on Earth purportedly evolved by mindless, random chances over millions of years. Some life forms “just happened” to evolve the ability to reproduce asexually, while others “just happened” to develop the capability to reproduce sexually. Some life forms “just happened” to evolve the ability to walk along vertical ledges (e.g., geckos), while others “just happened” to evolve the “gift” of glowing (e.g., glow worms). Some life forms “just happened” to evolve the ability to make silk (e.g., spiders), which, pound-for-pound, is stronger than steel, while others “just happened” to evolve the ability to “turn 90 degrees in under 50 milliseconds” while flying in a straight line (e.g., the blowfly; Mueller, 2008, 213[4]:82). Allegedly, everything has come into existence by random chances over billions of years. According to the General Theory of Evolution, there was no Mind, no Intelligence, and no Designer that created the Universe and everything in it.

Ironically, though atheistic evolutionary scientists insist that the Earth and all living things on it have no grand, intelligent Designer, these same scientists consistently refer to amazing “design” in nature. Consider an example of such paradoxical language in a recent National Geographic article titled, “Biomimetics: Design by Nature” (Mueller, 2008). The word “design” (or one of its derivatives—designs, designed, etc.) appeared no less than seven times in the article in reference to “nature’s designs.” Evolutionary biologist Andrew Parker spoke of his collection of preserved animals as “a treasure-trove of brilliant design” (quoted in Mueller, 2008, 213[4]:75, emp. added). After interviewing Parker, National Geographic writer Tom Mueller noted how the capillaries between the scales of a thorny devil

lizard are “evidently designed to guide water toward the lizard’s mouth” (p. 81, emp. added). He then explained how “[i]nsects offer an embarrassment of design riches” (p. 75, emp. added). Mueller referred to nature’s “sophistication” and “clever devices” (p. 79), and praised nature for being able to turn simple materials “into structures of fantastic complexity, strength, and toughness” (p. 79). After learning of the uncanny, complicated maneuverability of a little blowfly, Mueller even confessed to feeling the need to regard the insect “on bended knee in admiration” (p. 82). Why? Because of its “mysterious” and “complicated” design. Brilliant and well-funded scientists around the world admit that living things perform many feats “too mysterious and complicated to be able to replicate” (p. 82). They are “designed,” allegedly, with no “Designer.”

But how can you get design without purpose, intelligence, and deliberate planning? The first three definitions the Merriam-Webster Online Dictionary gives for “design” (noun) are as follows: “

1: A particular purpose held in view by an individual or group…  deliberate purposive planning… 

2: A mental project or scheme in which means to an end are laid down;

3deliberate undercover project or scheme” (“Design,” 2008, emp. added). After defining “design” as a drawing, sketch, or “graphic representation of a detailed plan…,” the American Heritage Dictionary of the English Language noted that design may be defined as “[t]he purposeful or inventive arrangement of parts or details” (2000, p. 492, emp. added). A design is preceded by “deliberate purposive planning,” “a detailed plan,” or an “inventive arrangement.” A design is the effect, not of time, chance, and unintelligent, random accidents, but of the purposeful planning and deliberate actions of an inventor or designer. A designer brings about a design. Thus, by definition, design demands a designer, and one with some measure of intelligence.

National Geographic purports that nature “blindly cobbles together myriad random experiments over thousands of generations” in order to produce complex, living organisms that the world’s “top scientists have yet to comprehend” (Mueller, 2008, 213[4]:90). We, on the other hand, choose to believe that, just as a painting demands a painter, and a poem a poet, the world’s amazing designs, which continually stump the most intelligent scientists on Earth, demand an intelligent Designer. Consider three wonders of God’s Creation—from the land, sea, and air—that testify on behalf of a grand Designer and against the random, chance processes of mindless evolution.


The height of an 18-foot giraffe, the tallest of all land animals, is quite daunting. The clumsy-looking giraffe’s ability to run 34 miles per hour is very impressive.

Its minimal sleep requirements—only about 30 minutes a day, often broken up into several short naps—and its ability to go weeks without drinking is remarkable (“Giraffe,” 1999). Its 18-inch, prehensile tongue, eight-foot-long tail, and six-foot-tall newborns are all very striking. Most remarkable, however, is the design of the giraffe’s circulatory system.

Consider that a giraffe’s brain is about eight feet higher than its heart. In order to get blood from its heart up to its brain, a giraffe must have an enormous heart that can pump blood extremely hard against gravity. What’s more, it must maintain such blood pressure as long as the giraffe’s neck is vertically in the air. It should come as no surprise that this long-necked mammal is equipped with a two-foot-long, 20-plus-pound, thick-walled heart that is large enough and strong enough to pump blood eight feet high—creating blood pressure that is about twice that of any other large mammal, and as much as three times that of the average person (Foster, 1977, 152[3]:409).


But what about when a giraffe suddenly lowers its head several feet below its heart to get a drink of water? What happens to all of the blood that the heart normally pumps so powerfully against gravity to the brain? If the design of the giraffe were merely left up to time and chance, one would expect that the first time a giraffe tried to lower its neck to get a drink of water, the heart would pump so much blood to the brain that blood vessels in the brain would explode, or the brain would fill up with blood so quickly that the giraffe would pass out.

How does the giraffe keep from having brain bleeds, or from feeling woozy and passing out every time it bends down and raises back up? A National Geographic article on giraffes explains:

To withstand the surge of blood to and from the brain as its neck sweeps up and down, the giraffe has developed control valves in the jugular veins and a special network of blood vessels in its head. Known as the rete mirabile caroticum—wonder net of the carotids—this circulatory buffer keeps blood pressure constant in the brain” (Foster, p. 409).

A giraffe, then, has intricate valves in its jugular veins that help control how much blood gets to the brain during those times when a giraffe has its head lowered. Working together with these valves is a network of blood vessels that “controls the flow of blood into the head” (p. 411). Then, “[w]hen the head is raised, the same net counters the danger of blackouts from reduced blood pressure” (p. 411).

One might wonder how giraffes, which stand on their feet most of the day and have such high blood pressure, keep their lower extremities from pooling with blood. The fact is, even though “the blood vessels in the lower legs are under great pressure (because of the weight of fluid pressing down on them),” giraffes “have a very tight sheath of thick skin over their lower limbs that maintains high extravascular pressure” (“Giraffe,” 2008, parenthetical comment in orig.). Similar to a fighter pilot’s G-suit that “exerts pressure on the body and legs of the wearer under high acceleration and prevents blackout….[l]eakage from the capillaries in the giraffe’s legs, due to high blood pressure, is also probably prevented by a similar pressure of the tissue fluid outside the cells. In addition, the walls of the giraffe’s arteries are thicker than those in any other mammal” (Kofahl, 1992, 14[2]:23).

So, the giraffe has:

  • “a complex pressure-regulation system” (“Giraffe,” 2008).
  • “unique valves” that prevent overpressure when it lowers its head (Foster, 1977, p. 409).
  • a network of blood vessels that helps stabilize blood pressure as the giraffe moves its neck up and down.
  • a heart powerful enough to send an adequate amount of blood eight feet upwards against gravity.
  • arteries in the lower part of its body thick enough to withstand the high blood pressure.
  • skin tight enough to force blood back upward and keep capillaries in its lower extremities from bursting.
  • oversized lungs (large enough to hold 12 gallons of air) that “compensate for the volume of dead air” in its 10-foot long trachea (Foster, p. 409; “Mammals: Giraffe,” 2008). [“Without this extra air-pumping capacity a giraffe would breathe the same used air over and over” (Foster, p. 409).]

National Geographic would have us believe that “nature” provided giraffes with all of this “special equipment” (Foster, p. 411). Supposedly, giraffes’ specialized, necessary, “unique” control valves are “remarkable adaptations” that “developed” (p. 409, emp. added). In other words, multiplied millions of years of “evolution” have “modified the giraffe’s anatomy to allow this stretched-version mammal to function” (p. 409).

How do the mindless, purposeless, random processes of time and chance adequately explain “unique valves,” “a complex pressure-regulation system,” a “wonder net” that “keeps blood pressure constant in the brain” (whether the giraffe’s neck is raised or lowered), a heart, lungs, and arteries all just the right size, etc.? Even more difficult (impossible) for evolution to explain is how all of these sophisticated body parts came about simultaneously? After all, what good is a big heart without a network of blood vessels that stabilizes blood pressure? And what is the point of the rete mirabile caroticum, if the giraffe did not have a heart powerful enough to pump blood eight feet into the air? Evolutionist Robert Wesson openly addressed this issue in his book, Beyond Natural Selection. He wrote:

All these things had to be accomplished in step, and they must have been done rapidly…. That it could all have come about by synchronized random mutationsstrains the definition of random. The most critical question, however, is how the original impetus to giraffeness—and a million other adaptations—got started and acquired sufficient utility to have selective value…. The observer must be often tempted to suppose that organisms have responded to their conditions and needs more purposefully than strict Darwinian theory can allow (1991, p. 226, emp. added).

Truly, the amazingly intricate design of the giraffe’s circulatory system, as well as the rest of its anatomy and physiology, demand a better explanation than the random, chance processes of evolution. The fact is, the giraffe is brilliantly designed—a wonder of God’s creation.


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